What is it about women in horror that both fascinates and frightens us? This Halloween, we dig into the roots of the "Monstrous Feminine," exploring why these unsettling portrayals linger in our minds. In this episode, we examine the link between fear and femininity, looking at how Freud and Lacan’s theories laid the groundwork for horror’s portrayal of women as both alluring and repellent.

We’ll break down how The Witch, Midsommar, and Black Swan expose cultural pressures around female identity, while Jennifer’s Body challenges horror norms by centering female friendship and agency. And with Promising Young Woman, we confront society’s unease with women’s anger and desire for revenge. Drawing on Laura Mulvey’s concept of the male gaze, we’ll discuss how cinema often turns women into objects of both desire and fear, reflecting deeper societal anxieties. We also explore how historical stigmas around women’s mental health have pathologized natural emotions, often with damaging effects.

Tune in to see how horror films both mirror and distort our ideas of gender, madness, and power. This episode invites you to rethink what horror tells us about the world’s fear—and fascination—with the “monstrous” feminine.

✧ Click here to buy “The Monstrous-Feminine” by Barbara Creed

TIME STAMPS:

00:00 – 33:15 .73: Part 1 (Unpacking Psychoanalytic Roots and Mythological Origins of the Monstrous Feminine)

33:15 .72 – 01:08:52 .49: Part 2 (Exploring Barbara Creed’s Monstrous Feminine, Lacan’s “Other,” and the Male Gaze through Films)

01:08:52 .49 – end: Part 3 (Connecting the Monstrous Feminine to Female Madness, BPD, Hysteria, and Modern Implications)

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The information contained in this podcast episode is for educational and entertainment purposes only and is not intended as a substitute for treatment or consultation with a licensed mental health professional.

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